In current communication process, there is a separation of printed and digital media production, I began an investigation project that wants to combine both areas to create a dynamic branding architecture that can fasten the graphic design delivery process.
This idea helped me to win the SOTA Catalyst Award, and let me explain the process in conferences for TypeCon, IXDA, TMX, and more.
Variable fonts came out in late 2016, having a web and branding background, I started to wonder how they could affect these areas.
I did some experiments and this ideas helped me to create an open branding with code’s help.
Having a responsive logo helps you to adapt your brand to different spaces and situations in the future. It helps your design grow with the brand.
Right now, more than ever, we have variable environments. This means that we not only have different sizes in screens — tablet, mobile, desktop — but also in print. You design in every scale, from a business card to huge billboards and posters. With this in mind, I did some experiments with variable fonts to store the logo information in code.
Here’s Why You Should Be Thinking About Responsive Logo Design
The digital version of a logo should work in a variety of spaces: web headers, in square and circular spots on social media, and more print and web media.
Python is a very pawerful programming language that can be used as a universal form of communication between files. By doing this, data can transfer easier between print and digital. These merged areas can now facilitate access, not just with designers and programmers, but with other production stakeholders: project managers, copywriters, printers, etc. – that can edit content without changing the design aesthetic.
By automating deliverables, the design process becomes streamlined and more productive. This is not limited by programs or software, but it's managed as file differentiation: scripts and exports.